comic book journalist

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comic book journalist
Do you differentiate between the term ‘writer’ and ‘author’?

Do you think the two terms are interchangeable or do you think of writers differently than authors? Do you consider a journalist a writer or author? What about someone who writes a movie script? Do you think someone who writes a scholarly essay or research paper is an author? If someone writes a comic book is he considered an author?
If you are writing a manuscript what do you tell others you are? How do you define each term?
I once met a ‘writer’ of comics who pens the words, someone else illustrates for him.
I love the answers I’ve gotten so far. Wow I didn’t think of the ‘authoring’ a plan. That’s a fact to be tucked away for use later.

Normally I don’t differentiate between the 2 terms. Most of the time the 2 terms are interchangeable. I consider the journalist both, a writer or an author, the same with the movie script writer. However, I don’t think someone who write a research paper is a writer, and let me explain myself; If I ran today because it was raining and I didn’t wanted to get wet, that does not makes me a “track ‘n field Runner”, well the same with the writer thing, writing just a research paper now and then does’nt makes me a “writer”.
On the other hand, I think that the terms could be interpreted differently and that depends in the context that it could be said. For example. In spanish (my primary language) If I say The writer (escritor) of this book is Adam Smith. That sentence is literal and its very clear…… But I also could say; The author (autór) of the crime is John Doe. I’m talking about the mastermind or perpetrator of a crime, not exactly a book Author…
Anyway, I’ll hope that helps you. Have a good day


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In his remarkable new book Joe Sacco returns to Bosnia, the setting for his first masterpiece, Safe Area Gorazde. In 2001 he went back to Sarajevo to meet up with his old 'fixer', an army veteran called Neven who, for the right price, could arrange anything for the visiting journalist. Sacco gradually realized that Neven's own story - a microcosm of the Balkan conflict itself - might be the most compelling of all. Through Neven, Sacco tells the story of the warlords and gangsters who ran the country during the war, but all the time he - and the reader - never know whether Neven is telling the truth.

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The searing second chapter of "Without Fear!" Things couldn't be going worse for Matt Murdock. Everything he thought he'd gotten back teeters on the edge of a precipice, ready to shatter all around him, as he fights a battle on both fronts of his life - in the courtroom and on the rooftops of Hell's Kitchen! Collects Daredevil #100-105, Daredevil Annual.

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The critically acclaimed, award-winning new creative team of Ed Brubaker and Michael Lark make their explosive debut in a storyline that Daredevil fans will not be able to put down! For the past few years, Matt Murdock's life has been teetering on the edge of destruction. Now, pushed beyond the limit, Matt finds himself behind the eight ball with no clear way out, the people he calls friends slowly deserting him, and Hell's Kitchen gradually slipping out of control. The question is, when his back is against the wall, just how far will Daredevil go to get back what is his? Spinning out of the stunning finale of Bendis and Maleev's ground-breaking run, Brubaker and Lark pick up the billy club and run as hard and as fast as they can to leave their own mark on one of comics' most enduring legends. Longtime DD fans will not be disappointed! Collects Daredevil #82-87.

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For many aficionados of the New Yorker magazine, the drawings of Peter Arno, William Steig, Charles Addams, and Saul Steinberg epitomize its sophisticated wit and disarming humor. In The Comic Worlds of Peter Arno, William Steig, Charles Addams, and Saul Steinberg, the first full-scale scholarly study of the subject, Iain Topliss considers the work of each artist, traces the development of his art, and recalls the cultural and social context in which it was created.Topliss delves into the nature of humor and the elements that make successful cartoons funny, paying special attention to matters of style and technique. He draws particular attention to the ways in which these four artists mocked the status quo without alienating the magazine's readers. Indeed, argues Topliss, the New Yorker's cartoons helped define American consciousness in the mid-twentieth century. Illustrated with more than fifty drawings from the artists published in the magazine between 1925 and 1975, The Comic Worlds of Peter Arno, William Steig, Charles Addams, and Saul Steinberg recognizes the achievements of these talented artists and their distinctive contribution to American culture.

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